Broadcast craft · BBC · Apple TV+ · National Geographic · Discovery
ScrollThe work is extraordinary. Almost no one sees it.
Fifteen years of BBC, Apple TV+, and National Geographic filmmaking, now pointed at the industries society runs on — aged care, healthcare, resources, and the essential operations most people never see — and the extraordinary work inside them that almost no one captures.
Watch the full reel →The proof of good work in an essential industry lives in moments a brochure can’t hold.
The way a carer speaks to a resident. The crew that holds the line on a night shift at the mine. The reason someone has stayed for twenty years.
When that work stays invisible, the organisation is judged on the same generic terms as everyone else — no matter how much better it actually is. The right people don’t apply. Communities, partners, and regulators fill the gaps with assumptions. And a real advantage stays a secret.
A film changes that. It shows the work as it is, which is the strongest trust asset an essential organisation has — the thing that earns reputation, wins the right people, and moves the business — and the one almost no one bothers to capture properly.
We make that asset.
One film does several jobs. It attracts the right people, so recruitment stops being a grind. It earns trust with the communities, partners, and regulators you answer to. And it gives the business a genuine asset it can put to work — the way a founder documentary once helped move a brand from $2M to $8M.
This is not corporate video. Every film is shot on location, built around a deliberate narrative, and made to a standard competitors cannot replicate — because they weren’t there.
Every project opens with a working session to understand the organisation, the people, and what the film actually needs to do. The narrative is shaped before a frame is shot.
We film on location: facilities, sites, the real operation. A broadcast-trained crew, led to John W. Sullivan’s standard. The story gets told where it actually happens.
Full post-production: edit, colour grade, audio design. A deliberate narrative arc, not a highlight reel. Delivered as a full documentary plus the cuts you need to put it to work.
Typical delivery: the full documentary as the long-form centrepiece, plus the cuts that carry it — a YouTube edit, short social cuts and reels, and a teaser. Scoped per project.
Two people lead every project. No account managers, no handoffs, no context lost between calls.
Founder & Creative Director
Founder of Authentik Studio. Leads creative direction, producing, and the edit, and shapes the story from first conversation to final cut.
Head of Production
Fifteen years shooting for the BBC, Apple TV+, and National Geographic. He sets the visual standard on location and holds every crew we deploy to it.
Broadcast credits · BBC · Apple TV+ · National Geographic · Discovery
Around this senior core we build a dedicated, broadcast-trained crew for each production, so every project gets experienced leadership and the right team for the job. Our network operates worldwide. Wherever the work is, we can be there.
In the field
Drag to explore →
Our work and our network’s credits span the broadcasters and brands below.
Currently in production: workforce and reputation films in the aged-care and health sectors, with resources and infrastructure next.
Businesses we work with · ACRE
Proof our films drive real outcomes
We have made films that drove serious business outcomes. One founder documentary helped move a brand from $2M to $8M in eighteen months, generating more than 2,300 qualified applications.
J-Griff · founder documentary · client testimonial
If you run an organisation doing important work, let’s talk. Thirty minutes. We’ll tell you honestly whether we’re the right fit.